Las Vegas is considered a modern icon of excess. It offers every imaginable extreme of greed, pleasure, and despair, all supported by technology that enhances fantasy and allows residents and visitors alike to forget reality and responsibility. The authors of the fourteen stories in Dead Neon imagine Sin City in the near future, when excess has led to social, environmental, or economic collapse. Their stories range from futuristic casinos to the seared post-apocalyptic desert, from the struggle to survive in a repressive theocracy to the madness of living in a world where most life forms and all moral codes have vanished. Dead Neon explores the possible future of America by examining the near future of Las Vegas. The authors, all either Vegas-based or intimately familiar with the city, capture its unique rhythms and flavor and probe its potential for evoking the fullest range of the human spirit in settings of magic, horror, and despair.

News is “one of the few things that connects us as a nation” observes the protagonist in the title story of Newsworld, a new collection by Todd James Pierce that explores America’s obsession with news and entertainment culture. The characters in “Newsworld” seek to design realistic theme park attractions, such “OJ’s Bronco: The Ride” and “Seige at Waco,” that allow park guests to experience the complexities of contemporary news events for themselves. In the story “Columbine: The Musical,” high school students stage a musical written as a means of discussing school violence, while their vice principal wrangles a 10 percent discount on a school security system in exchange for corporate sponsorship of the play. In “Wrestling Al Gore,” a national wrestling federation uses costumed wrestlers to cast the Gore/Bush election recount into the ring. In an ironic twist, fans become sympathetic to the underdog Gore, champion his cause, and ultimately reflect on the fate of the real politician. In “The Yoshi Compound: A Story of Post-Waco Texas,” the followers of the Dalai Yoshi amass weapons and riot gear in hopes of attracting media attention in order to spread their message of love and world peace.

The characters in Newsworld, like many Americans, are engulfed in a life-imitating-art phenomenon caused by the hyperreality presented in the media, and they struggle with this overwhelming influence trying to understand whether their own lives fall within or outside its domain.